Pakutia Zamindar Bari: A Heritage in Ruins

Pakutia Zamindar Bari: A Heritage in Ruins”By Hossain Mridul

Pakutia Zamindar Bari

A Heritage in Ruins

A Glimpse into History

The tale of Pakutia Zamindar Bari begins in the late British era. A wealthy individual named Ramkrishna Saha Mandal, hailing from Kolkata, established a zamindari in Pakutia. Around 1915, he constructed three magnificent palaces, each spread across 15 acres, reflecting the architectural fusion of Mughal and European styles. These palatial structures, known locally as “Tin Moholla” or “Three Floors,” were a symbol of power and prestige.

The zamindars, who hailed from a lineage of affluent landowners, played a pivotal role in the socio-economic fabric of the region. They were not mere landlords but patrons of arts, culture, and philanthropy. The zamindar bari was the epicenter of festivities, especially during Durga Puja and Pahela Baishakh, attracting people from far and wide.

Architectural Marvels

The zamindar bari is an architectural marvel. Its intricate carvings, ornate decorations, and spacious halls offer a glimpse into the opulent lifestyle of the zamindars. The sprawling gardens, once adorned with exotic flora and fauna, provided a serene retreat. The central courtyard, surrounded by verandahs, was the heart of the estate where family and guests would gather.

A Cry for Preservation

Sadly, the passage of time and neglect have taken a heavy toll on this architectural gem. The once magnificent structures are now in a dilapidated state, with many parts crumbling and falling apart. Despite its historical significance, the zamindar bari has been largely overlooked by the authorities.

Local residents, who hold a deep emotional connection to this heritage, have expressed their anguish over the deteriorating condition of the zamindar bari. They believe that with proper restoration and conservation, this historic site can be transformed into a major tourist attraction, boosting the local economy and preserving the region’s cultural heritage.